Artist Spotlight: Robert Delong

I used to make fun of Robert Delong, for no real reason other than that a music blogger I hated was obsessed with him. She posted about her love for this Seattle-born musician ad nauseum, and even though I enjoyed some of his fun, poppy music, my complete loathing of her writing made me write him off as corny.

Last September, I scored a free pass to see Robert Delong at Rough Trade in Williamsburg, and I went because, hey, FREE. And also, despite my misgivings about him, one of his songs is on my yet-to-be-published list of my top 10 favorite ever bass drops.

Comes in right around the 40 second mark. Love it.

My impressions of the show, and a pretty solid summary of Robert Delong’s deal in general, are reflected in the comments I made in my concert spreadsheet after the show:

“Holy shit this guy is incredible. I always thought he was such a weird cheeseball but in actuality he is a machine and a one man band. He does everything – loops his own vocals, 2 drum kits, other weird sounds via what look like video game controllers, all the mixing, EVERYTHING. Hot damn. Plus, face paint?!?”

It’s true. Delong really never stops moving or creating. Whether he’s looping his own voice or playing on video game controllers or drumming or actually just singing (which he does as well, of course), he’s running back and forth yet never seems frantic or out of control. I cannot even imagine the amount of work that goes into creating each of his songs, as he does almost all of the work live, compared to many other electronic artists who use a base track and then just manipulate the sound somewhat. His overall feel is house-y at times but really heavy on the drums in a way that’s far more exciting than standard house music – at times it almost gets down into a moombahton vibe.

When I had the opportunity to see Robert Delong again at Terminal 5 over the weekend, I jumped at it. In fact, it was the first time I successfully got a ticket to a show off the Jukely wait list (woohoo!). I was not disappointed.

The one sad thing I have to say about my 2 experiences with Robert Delong was the face paint situation. Delong’s own face is painted at all of his shows – often with an orange X, which is his logo – and his street team goes around painting faces in the audience as well. When I saw him at Rough Trade, I had no idea what was going on when a random girl approached me and showed me her paints. I was confused, and so I said no. A few minutes later when I finally realized what was happening, I was sad that I had declined the face paint, because I’m really just a giant child. And the girl was sadly long gone.

Robert Delong was only an opening act at the Terminal 5 show this weekend, and even though I had another concert to go to after, I was gung ho on getting my face painted. Only I never saw any face painters, either because I was too far back in the crowd, or maybe there just weren’t any since he wasn’t headlining. Bummer city.

The moral of the story is, don’t judge a musician by what a music blogger thinks of them, especially if it’s a blogger you hate (unless that music blogger is me – you should always take my word as the gospel because I have excellent taste in music).

Robert Delong is insanely talented, and I look forward to seeing him live again sometime soon. I will not rest until I get my face painted.

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