I Want to Marry Into Vinyl

Some people strive to marry into money. I would love to marry into a good vinyl collection.

If you follow me on Twitter, you will occasionally see me lament the fact that I am not cool enough for vinyl. Which I’m not, sadly. The cool associated with a record collection is an effortless sort of cool. Being a vinyl collector says, “I have casual nostalgia but not a desperate attachment to the past.” It demonstrates an appreciation for the quality listening experience and an admirable level of music-loving.

I like to think that I’m cool (ish), but certainly not in a record-collecting, hipster sort of way. I’m cool in the way that I’ve set up enough apps on my phone that I can tell you what good (and bad) shows are happening at any given moment and I’ve found the right social media accounts to follow if you want to win concert tickets (which I do, and often). I am not, “welcome to my humble abode let me put on a record and give you a delicious local craft beer” cool. I do not have any craft beer in my fridge. I’m not even entirely sure what “craft beer” means.

There are other reasons why I’ve never started a record collection, and those are the reasons that are at the core of every New York problem – money and space (or lack thereof). The money I currently put into my music collection consists of the $9.99 I give to Spotify every month for my premium membership. And that’s it. Can vinyl top that, and by “top that” I obviously mean NOT top that, money wise? No. Furthermore, I have exactly zero space for a record player unless the floor has suddenly become an appropriate place for a turntable and also a place where I would not step on it resulting in injury to both foot and record player.

But the thing is, I really like music and love the peace and enjoyment that it can bring to my moments relaxing at home. I’ve been trying to be more thoughtful about how I curate my space, and after figuring out a good lighting scheme (candles!) and getting my essential oil diffuser going (there’s no better way to make your room smell like a massage parlor than by giving it a boost of lavender scent!), amping up my home listening situation (was that a pun? I think it was!) seems like it should be next on the list.

You know what makes you feel like a real music fan? Definitely not listening to music through your phone, that’s what. And though I’m likely never going to want to develop the infrastructure to get a vinyl collection going, I think if I magically inherited one, I would really take to it. It would make me cooler by proxy, I think. Almost as if you’re not cool enough to have a record collection until you actually have one, and then all of a sudden, you are.

The obvious solution here, of course, is to marry into some really good vinyl. I’m talking a quality turntable, not one of those dinky ones they sell at Urban Outfitters (no offense UO, love ya!) and a collection that spans the decades – some classics (Beatles, natch) and current albums that can only be truly appreciated on vinyl. I mean, how much better would this sound on a record vs YouTube (no offense to you either, YouTube!)??

Yes, obviously one of my first vinyl purchases would be Pretty Lights’ “A Color Map of the Sun” album.

Even though records cost more than my Spotify premium membership, if I had a music-loving husband to start off my collection I would gladly invest the money into expanding it. So if you know anyone, send ’em my way! As a thank you you will receive an exclusive invite to one of my listening parties where I will grace your ears with excellent music for an evening. And snacks. And maybe even some craft beer.

Mix247EDM posts!

Lots of artist interviews and other fun stuff going on at Mix 247 EDM!

Get ready to party in the dark (and no cell phones) at The Knitting Factory

An interview with Pablo Picasso’s great-grandson!

I got to ask some questions of one of my favorite electro-funk bands, SunSquabi!

Chatting with Josef Bamba about his new spin on an old song

A preview of Elements, my favorite NYC summer event!! (You can also read about my love of Elements here and here)

Talking to Triarchy about…coconuts?

What’s Your Power Song?

I was working at a tech conference some years ago, listening to a Nike exec talk about Nike Plus, a pre-Fitbit fitness tracker.

He explained that Nike Plus allows you to select a power song. This is the song that pumps you up when you need that extra boost of energy during your run. Maybe you’re feeling sluggish, or maybe you’re about to head into the home stretch of a half marathon. You press one button, your pre-selected power song comes on, and BOOM – the little kick of adrenaline helps you get through. He continued:

“We at Nike collect a lot of data from our Nike Plus users. There is one song that people overwhelmingly choose as their power song. The next most highly selected song is nowhere even close to this one. And I will give a free Nike Plus system to the first person who can guess what that song is.” It took about 2 seconds before someone in the audience shouted out the answer and received a Nike Plus.

Can you guess? I’ll let you think about it.

*cue Jeopardy music*

It is…

Eye of the Tiger!

“Oh….duh,” you are surely now thinking to yourself.

Now, as a non-runner (thanks to a cocktail of a bad knee and laziness), I don’t have or need a power song. My exercise insists almost entirely of taking various fitness classes in which the instructor telling me what to do is motivation enough to keep going.  But today I was in a particularly intense boot camp class, the kind where sweat was dripping onto the floor and my quads were slowly (or quickly) turning into noodles. I was tired. And then a great song came on and I felt completely re-energized and continued doing my seemingly endless set of mountain climbers.

That song was this one:

SO GOOD, RIGHT? A classic. And while not officially my power song, it was, at least for today, pretty close to one.

Do you have a power song? Comment! Tweet at me! Send me an ESP wavelength or whatever. I’m so fascinated by this concept.

Shows I Missed: March 2017

it’s been awhile since I was so sad to miss a show that I felt the need to blog about it. In fact, the last time was August 2016, when I missed Jason Derulo, Santigold, and Pretty Lights in Telluride and at the Red Rocks. That is arguably one of the biggest months for missed shows ever (I say without consulting my other Missed Shows posts, but I’m moderately confident in it).

Anyway, this month I missed seeing Gramatik in Vail, Colorado. This is a bummer because Gramatik is obviously one of my favorites and I think being up in the mountains would have been so magical. Mostly, though, I’m bitter because I actually WAS supposed to go to this show, but my whole trip to Colorado (which actually was not for the purpose of seeing Gramatik but would have been a major, major bonus) was called off when my flight out got cancelled. IT SUCKED. A lot. Jet Blue, you’re on notice.

This strengthens my resolve to go to Colorado in September for Big Gigantic‘s annual Rowdytown event, a Red Rocks weekend I have been lusting after for I think 4 years now. Maybe 2017 is the year.

Concert Review: OWSLA Label Showcase at Slake

Sunday night, as you all know, was the Oscars (and a memorable one at that!). I, however, am not really a movie person and I had seen a record breaking ZERO Oscar-nominated movies this time around. So I needed something else to do.

My friend Cody told me about an OWSLA showcase going down at Slake, which many of you may recall is Skrillex’s record label. Every time there’s an OWSLA party it’s rumored that Skrillex will show up, and he often does. I was a little skeptical seeing as he just made an announcement that he’s taking time off from electronica-land this year, but I knew this would still be a perfect, non-Oscar-watching way to spend my Sunday evening. Particularly when I saw that Israeli electro-funk band The G-Nome Project would be playing in a different room of the same venue that evening, and even though you needed separate tickets for the two shows, I was able to snag a G-Nome ticket on Jukely for free(ish).

I arrived at American Beauty (the downstairs venue from Slake), which hosts a bar you can hang out in before entering the ticketed part of the venue. I estimated that about 95% of the people were there waiting to go to the OWSLA party and 5% were waiting for the G-Nome Project. About 1% of the people there were reading a book like they were in a coffee shop (that was me – I am reading this book, and so far it is excellent).

I stopped by the G-Nome Project first, and it was awesome. I had heard of the band a number of times but never listened to their music, and I loved it. The guys were clearly having a blast on stage, the audience was into it, and they had a live painter, which is always fun. After awhile I decided to go upstairs and get my dubstep on.

The lineup of the OWSLA showcase was a secret, but going down the list of artists on the label’s website, here’s who I would have loved to see (without regard for how realistic or unrealistic it was):

Kill the Noise
Milo & Otis
Valentino Khan
What So Not

I was happy to see set times posted (not so secret anymore, are you, lineup?) and less than happy to see that I had never heard of anyone on it. I pulled up the OWSLA artist list on my phone and confirmed that out of the names present on the set list, only one – DJ Sliink – was even listed there. Huh?

I went inside and even though it was after 10 and the show was supposed to start at 9, no one was DJing. But they were bumping a solid 90s hip hop playlist and I was happy. A number of people walked across the stage and seemed to be instagramming the audience, but none appeared to be intent on playing any music. I kept dancing. I decided to count the number of people who were wearing the same OWSLA jacket, and thought it strange until I remembered there had been an OWSLA pop-up shop downstairs at American Beauty that afternoon. I lost count of the jackets after 8 or 9.


Suddenly, without fanfare, the music abruptly changed from hip hop to some heavy house music, and the crowd cheered. I looked on stage and there was still no one who appeared to be playing any music.

After awhile someone did step up behind the computer. I asked around to see if anyone knew who it was. No one did, but guessed based on the set times that it might have been Chris Lake. He is not an OWSLA artist and I’m not sure why he was there, but I was into it anyway. For such a small venue there was a solid production value to this show because as we all know, every fan of electronic music loooooves lights.

Dancing by yourself to house music can feel a little weird, and so I bounced back downstairs to spend some more time at the G-Nome Project, which was still going strong and still fun and funky.  Then I went back upstairs, took another peek at the set times, and confirmed that Chris Lake would be performing for far longer than I was prepared to stay at this event, it being a Sunday and all that jazz. So after some more time at Chris Lake, I called it quits.

I was somewhat hesitant to leave, still possibly convinced that Skrillex or Marshmello would show up late in the evening and blow everyone’s minds, but I was willing to take the risk on missing out (spoiler alert: no surprise sets happened!). So I went home, YouTubed the end-of-Oscars awkwardness, and went to bed.

I’m a little bummed that at an OWSLA showcase event I only managed to see one artist (and a non-OWSLA artist at that), but I still got to hit up not one, but TWO good shows, both with A+ dancing, and I didn’t have to sit through 4 hours of watching an award show for movies I’ve never seen. So it was a win, and a great way to start the week.

Mix Posts Mix Posts Mixy Mixy Mixy Posts

As usual, I have been doing more writing over at Mix 247 EDM than I have here. FOR SHAME. I haven’t been feeling super creative lately, but I’m not giving up on this blog yet. Thank you all for bearing with me during this dry spell. But in the meantime, here’s what’s happening over yonder:

GRiZMATIK released a new track and WE ALL REJOICE 

Mysteryland phase 1 lineup! Y’all know how much I have loved ML in years past

This new drum & bass track “Spychase” actually sounds like a spy chase and it’s wonderful

I interviewed NYC electro-disco duo The Knocks!